{"id":2247,"date":"2017-05-03T14:08:05","date_gmt":"2017-05-03T14:08:05","guid":{"rendered":"http:\/\/clarapacquet.com\/?page_id=2247"},"modified":"2025-01-05T19:41:39","modified_gmt":"2025-01-05T19:41:39","slug":"curriculum-vitae-2","status":"publish","type":"page","link":"http:\/\/clarapacquet.com\/?page_id=2247&lang=en","title":{"rendered":"Curriculum Vitae"},"content":{"rendered":"<p><strong>Research Projects and Professional Experience<\/strong><\/p>\n<ul>\n<li><strong>Since 2023:<\/strong> Head of Research at the \u00c9cole Sup\u00e9rieure d\u2019Art Pays Basque (Higher School of Art, Biarritz\/Bayonne, FR)<\/li>\n<li><strong>Since 2019:<\/strong> Teaching position (history, theory and actuality of contemporary art) at the \u00c9cole Sup\u00e9rieure d&#8217;Art Pays Basque<\/li>\n<li><strong>Since 2015:<\/strong> Regular activity as freelance writer (art, art theory, art history); Member of the AICA since 2018 (see the\u00a0 publication list)<\/li>\n<li><strong>2020-2023:<\/strong> Project Manager for the establishment of a DNSEP (Master\u2019s Degree equivalent) at the \u00c9cole Sup\u00e9rieure d\u2019Art Pays Basque<\/li>\n<li><strong>Spring Semester 2020:<\/strong> Lecturer at the HEAD (Geneva), Philosophy of Art \/ \u00c6sthetics, Bachelor, Department &#8220;Visual Arts&#8221;<\/li>\n<li><strong>Spring Semester 2018:<\/strong> Lecturer at the University of Zurich (Department of art history)<\/li>\n<li><strong>2015-2017:<\/strong> Team member in the research project (supported by the <a href=\"https:\/\/www.kulturstiftung-des-bundes.de\/en\/programmes_projects\/sustainability_and_future\/detail\/turn_fund_for_artistic_cooperation_between_germany_and_african_countries.html\" target=\"_blank\" rel=\"noopener noreferrer\">Kulturstiftung des Bundes<\/a>) <em>Contemporary Photography in Bamako and Dakar. A Oral History,<\/em> supervised by Prof. Dr. B\u00e4rbel K\u00fcster (Staatliche Akademie der Bildenden K\u00fcnste Stuttgart\/Technische Universit\u00e4t Berlin)<\/li>\n<li><strong>2014:<\/strong> Postdoc associate, Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne, CEPA (Culture Esth\u00e9tique et Philosophie de l\u2019art) \/ PhiCo (Philosophies Contemporaines)<\/li>\n<li><strong>2011-2013:<\/strong> Postdoc fellow at the Deutsches Forum f\u00fcr Kunstgeschichte, Paris, within the ERC research project <em><em><a href=\"https:\/\/dfk-paris.org\/en\/ownreality\" target=\"_blank\" rel=\"noopener noreferrer\">To Each His Own Reality. The Notion of the Real in the Fine Arts of France, West Germany, East Germany and Poland Between 1960 and 1989<\/a><\/em><\/em><\/li>\n<li><strong>2010:<\/strong> Postdoc fellow at the Centre Marc Bloch, Berlin, within the ANR\/DFG research project <a href=\"https:\/\/cmb.hu-berlin.de\/fr\/lequipe\/profil\/clara-pacquet\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>\u00c4sthetik. Geschichte eines Deutsch-franz\u00f6sischen Ideentransfers (1740-1810)<\/em><\/a> under the direction of Prof. Dr.\u00a0\u00c9lisabeth D\u00e9cultot, CNRS\/CMB and Prof. Dr. Gerhard Lauer, University of G\u00f6ttingen<\/li>\n<li><strong>2009:<\/strong> Research stay at the <a href=\"https:\/\/www.fu-berlin.de\/en\/sites\/dhc\/nachwuchs\/Fellowships\/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">Dahlem Humanities Center<\/a>,\u00a0Freie Universit\u00e4t, Berlin<\/li>\n<li><strong>2008-2009:<\/strong> PhD Fellow at the Deutsches Forum f\u00fcr Kunstgeschichte, Paris, within the scope of the annual theme <em><a href=\"https:\/\/dfk-paris.org\/fr\/node\/153\" target=\"_blank\" rel=\"noopener noreferrer\">Kunstgeschichte &amp; \u00e4sthetische Theorie. Abgrenzung, Wechselwirkung<\/a>, <\/em>under the direction of Prof. Dr. Andreas Beyer and Prof. Dani\u00e8le Cohn<\/li>\n<\/ul>\n<p><strong>Academic Background<\/strong><\/p>\n<ul>\n<li><strong>2004-2010:<\/strong> Doctorate in Aesthetics<br \/>\nDissertation: <a href=\"http:\/\/clarapacquet.com\/?p=393&amp;lang=fr\"><em>Signature et achev\u00e9 en soi. Esth\u00e9tique, psychologie et anthropologie dans l\u2019\u0153uvre de Karl Philipp Moritz (1756-1793)<\/em><\/a> \/ <em>Signature and Self-Completion: Aesthetics, Psychology, and Anthropology in the Work of Karl Philipp Moritz (1756-1793)<\/em>, supervised by Dani\u00e8le Cohn, \u00c9cole des Hautes \u00c9tudes en Sciences Sociales (EHESS), Paris (awarded &#8220;summa cum laude&#8221;); jury included Andreas Beyer, \u00c9lisabeth D\u00e9cultot, Jacqueline Lichtenstein, Pierre Wat, Heinz Wismann<\/li>\n<li><strong>2004:<\/strong> Master\u2019s Degree (DEA) in Philosophy<br \/>\nThesis: <em>Allegory and Symbol in the Work of Karl Philipp Moritz<\/em>, supervised by Jean-Philippe Antoine, Universit\u00e9 Jean Moulin Lyon 3<\/li>\n<li><strong>2003:<\/strong> Bachelor\u2019s Degree (Ma\u00eetrise) in Philosophy<br \/>\nThesis: <em>The Description of Artworks in Early German Romanticism<\/em>, supervised by Jean-Philippe Antoine, Universit\u00e9 Jean Moulin Lyon 3<\/li>\n<li><strong>1999-2004:<\/strong> Studies in Philosophy (Undergraduate and Graduate) at Universit\u00e9 Jean Moulin Lyon 3 and Humboldt Universit\u00e4t, Berlin<\/li>\n<\/ul>\n<p><strong>Publications<\/strong><\/p>\n<p><u>Book<\/u><\/p>\n<ul>\n<li><em><a href=\"http:\/\/clarapacquet.com\/?p=1358&amp;lang=en\">Signature et achev\u00e9 en soi. Esth\u00e9tique, psychologie et anthropologie dans l&#8217;\u0153uvre de Karl Philipp Moritz<\/a>\u00a0\/ Signature and Self-Completion: Aesthetics, Psychology, and Anthropology in the Work of Karl Philipp Moritz (1756\u20131793), <\/em>Dijon, Les Presses du R\u00e9el, 2017. 392 pages.<\/li>\n<\/ul>\n<p><u>Edited Volume<\/u><\/p>\n<ul>\n<li>With B\u00e4rbel K\u00fcster, <em><a href=\"http:\/\/dakar-bamako-photo.eu\/fr\/accueil.html\" target=\"_blank\" rel=\"noopener noreferrer\">Photography and Orality. Dialogues in Bamako, Dakar and Elsewhere<\/a><\/em>, Stuttgart, Staatliche Akademie der Bildenden K\u00fcnste, 2017.<br \/>\nOnline publication featuring filmed interviews with 17 photographers, as well as around 20 oral and written contributions by artists, curators, art critics, art theoreticians and art historians. Available in French and English.<\/li>\n<\/ul>\n<p><u>Editions \/ Translations (From German into French)<\/u><\/p>\n<ul>\n<li>Karl Philipp Moritz, <em><a href=\"https:\/\/presses.ens.psl.eu\/sur-l-ornement.html\" target=\"_blank\" rel=\"noopener\">Sur l&#8217;ornement<\/a> [On Ornament]<\/em>, edited by Clara Pacquet, preface by Dani\u00e8le Cohn. Revised and expanded edition of <em>On Ornament<\/em> (2008, out of print), Presses de l\u2019ENS, Rue d\u2019Ulm Editions, \u201cFrench Versions\u201d collection. 280 pages.<\/li>\n<li>Karl Philipp Moritz, <em><a href=\"http:\/\/clarapacquet.com\/?p=63&amp;lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Sur l\u2019ornement<\/a>,<\/em> postface by Dani\u00e8le Cohn, Paris, \u00c9ditions Rue d\u2019Ulm, 2008. 132 pages.<\/li>\n<li>Armen Avanessian,\u00a0<em>\u00dcberschrift. Ethik des Wissens, Poetik der Existenz<\/em> (Berlin, Merve, 2015), first chapter \u00ab Ich kriegt die Krise \u00bb, in Laurent de Sutter (ed.), <em>Postcritique,<\/em> Paris, \u00ab Perspectives critiques \u00bb, Presses universitaires de France, 2019, pp. 9-39.<\/li>\n<\/ul>\n<p><u>Contributions to Scholarly Works, Scientific Journals, or Exhibition Catalogs<\/u><\/p>\n<ul>\n<li>&#8220;All\u00e9gorie et symbole dans l\u2019\u0153uvre de Joseph Beuys&#8221;, in: <em>Beuys, le dernier <\/em>\u2028<em>romantique\u00a0?, <\/em>Dijon, Les presses du r\u00e9el, to be published [to be published].<\/li>\n<li>Interview with R\u00e9mi Mermet and Giovanna Targia about <em>Fundamental Principles of Art History<\/em>, in <em>Critique d\u2019Art<\/em> Review, No. 63 | Autumn\/Winter 2024, pp. 142\u2013155. Conducted with David Zerbib. Available in French and English.<\/li>\n<li>&#8220;Ornement, industrie et autonomie autour de 1800. La querelle berlinoise de l&#8217;ornement au prisme de l&#8217;industrialisation naissante des arts appliqu\u00e9s en Allemagne&#8221;, <em>Les Cahiers philosophiques, <\/em>Paris,\u00a0Vrin, 2020.<\/li>\n<li>&#8220;L\u2019abstraction solitaire de Hans Hartung&#8221;, catalogue of the exhibition <em>Hans Hartung. La fabrique du geste,<\/em> Mus\u00e9e d\u2019art moderne de la ville de Paris, 2019.<\/li>\n<li><a href=\"http:\/\/www.sciencespo.fr\/artsetsocietes\/en\/archives\/4050\">&#8220;Animism and Modernity. Jean Rouch on Things&#8221;<\/a>\u00a0in: Laurence Bertrand Dorl\u00e9ac (dir.),\u00a0<em>La Lettre du s\u00e9minaire Arts &amp; Soci\u00e9t\u00e9s,<\/em>\u00a0Paris, Sciences Po, Centre d\u2019histoire, 2018.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=1036&amp;lang=fr\">&#8220;L\u2019anthropologie visuelle de Jean Rouch&#8221;<\/a> in\u00a0<em><a href=\"http:\/\/www.libraweb.net\/articoli.php?chiave=201612401&amp;rivista=124\" target=\"_blank\" rel=\"noopener noreferrer\">Visual History. Rivista internazionale di storia e critica dell\u2019immagine<\/a><\/em><em>,<\/em>\u00a0Nr. 2, 2016 (December), Pisa-Roma, Fabrizio Serra editore, pp.\u00a0109-122.<\/li>\n<li>\u00a0<a href=\"http:\/\/clarapacquet.com\/?p=307&amp;lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;Le sol classique&#8221;<\/a> in: Audrey Rieber (ed.), <em>Penser l\u2019art, penser l\u2019histoire,<\/em> Paris, \u00e9ditions de L\u2019Harmattan, 2014, pp. 141-155.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=305&amp;lang=fr\">&#8220;L\u2019exp\u00e9rience de l\u2019histoire. Des rapports entre esth\u00e9tique et histoire de l\u2019art chez Karl Philipp Moritz, Johann Wolfgang Goethe et Johann Gottfried Herder&#8221;<\/a>, in: Andreas Beyer and Dani\u00e8le Cohn (ed.), <em>Die Kunst denken. Zu \u00c4sthetik und Kunstgeschichte,<\/em> Berlin\/Munich, Deutscher Kunstverlag, 2012, pp.\u00a081-95.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=444&amp;lang=fr\">&#8220;Le sentiment de l\u2019ach\u00e8vement chez Karl Philipp Moritz&#8221;<\/a>, in: Elisabeth D\u00e9cultot and Gerhard Lauer (ed.), <em>Kunst und Empfindung. Zur Genealogie einer kunsttheoretischen Fragestellung in Deutschland und Frankreich im 18. Jahrhundert,<\/em> Heidelberg, Universit\u00e4tsverlag Winter, 2012, pp. 147-156.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=289&amp;lang=fr\">&#8220;Das Spiel des Ornaments bei Karl Philipp Moritz: zwischen Einheit und Mannigfaltigkeit&#8221;<\/a>, in: Vera Beyer and Christian Spies (ed.),<em> Ornament. Motiv \u2013 Modus \u2013 Bild, <\/em>Munich, Wilhelm Fink, 2012, pp. 234-251.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=460&amp;lang=fr\">&#8220;La dialectique de l\u2019\u00e9criture chez Karl Philipp Moritz&#8221;<\/a>, in: Thomas Kisser (ed.), <em>Bild und Zeit. Temporalit\u00e4t in Kunst und Kunsttheorie seit 1800,<\/em> Munich, Wilhelm Fink, 2011, pp. 213-222.<\/li>\n<\/ul>\n<p><u>Journalistic papers (press), magazines<\/u><\/p>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li>Review of June Crespo&#8217;s exhibition <em>&#8220;Vascular&#8221;<\/em> at the Guggenheim Bilbao, <em>artpress<\/em> No. 522, June 2024, pp. 62\u201365.<\/li>\n<li>Concept and writing of special issue No. 176 (March 2024) of <em>L\u2019Objet d\u2019Art<\/em> (Faton Editions), dedicated to the <em>Brancusi<\/em> retrospective at the Centre Pompidou in Paris (March 27 \u2013 July 1, 2024). 65 pages.<\/li>\n<li>&#8220;Premi\u00e8res ann\u00e9es. La gen\u00e8se d&#8217;un \u0153uvre&#8221;, &#8220;L&#8217;espace infini des vues d&#8217;atelier&#8221;, &#8220;Dans la spirale des escaliers&#8221; et &#8220;Un labyrinthe de feuilles et de lianes&#8221;, <a href=\"https:\/\/lobjet-dart-hors-serie.com\/numero-162\/sam-szafran-obsessions-d-un-peintre.53184.php\" target=\"_blank\" rel=\"noopener\"><em>L&#8217;Objet d&#8217;art<\/em> Nr. 162<\/a> (September 2022) dedicated to the exhibition &#8220;Sam Szafran. Obsessions d&#8217;un peintre&#8221; at the Mus\u00e9e de l&#8217;Orangerie (from September 28, 2022 to January 16, 2023, pp. 20-49.<\/li>\n<li>&#8220;L&#8217;autoportrait, le moi, le monde&#8221;, <a href=\"https:\/\/www.dossiers-art.com\/numero-301\/edvard-munch-un-poeme-vie-d-amour-mort.53187.php\" target=\"_blank\" rel=\"noopener\"><em>Dossiers de l&#8217;art<\/em> Nr. 301<\/a> (September 2022) devoted to the exhibition &#8220;Edvard Munch. A poem of life, love and death&#8221; at the Mus\u00e9e d&#8217;Orsay (from September 20, 2022 to January 22, 2023), pp. 50-55.<\/li>\n<li>Writing and conception of the Nr. 298 of the <a href=\"https:\/\/www.dossiers-art.com\/numero-298\/nouvelle-objectivite-allemagne-annees-20-august-sander.52995.php\" target=\"_blank\" rel=\"noopener\"><em>Dossiers de l&#8217;art<\/em><\/a> (May 2022) dedicated to the exhibition &#8220;New Objectivity \/ Germany \/ Years 20 \/ August Sander&#8221; at the Centre Georges Pompidou (from May 11 to September 05, 2022), pp. 12-75; 78-79.<\/li>\n<li>&#8220;Felix Guattari, <em>Chaosmosis<\/em>\u00a0(1992)&#8221; in <em>Arts of the Working Class<\/em> Nr. 15 (March-April 2021), Berlin.<\/li>\n<li>&#8220;De la Gr\u00e8ce \u00e0 Florence, 1888-1911&#8221;, &#8220;Face \u00e0 face: De Chirico\/B\u00f6cklin&#8221;, Arr\u00eats sur \u0153uvres: &#8220;Le Revenant, 1917-1918&#8221;, &#8220;La M\u00e9lancolie du d\u00e9part, 1916&#8221;, special issue of <a href=\"https:\/\/lobjet-dart-hors-serie.com\/numero-147\/giorgio-chirico-peinture-metaphysique.52070.php\" target=\"_blank\" rel=\"noopener\"><em>L&#8217;Objet d&#8217;art<\/em> Nr. 147<\/a> (September 2020) published on the occasion of the exhibition at the Mus\u00e9e de l&#8217;Orangerie &#8220;Giorgio De Chirico. La peinture m\u00e9taphysique&#8221;, pp. 14-21; 54-57.<\/li>\n<li>&#8220;Alfred M\u00e9traux ou &#8216;la nostalgie du n\u00e9olithique'&#8221; in <em>Arts of the Working Class <\/em>Nr.\u00a08 (septembre-octobre 2019), \u00ab Beyond the Metaphysics of the West \u00bb, Berlin, p. 30.<\/li>\n<li>Special edition of <em>L\u2019Objet d\u2019art\u00a0<\/em><a href=\"http:\/\/clarapacquet.com\/?p=4082&amp;lang=fr\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"n\u00b0 134 (opens in a new tab)\">Nr. 139<\/a> (September 2019) dedicated to the exhibition &#8220;<a href=\"https:\/\/www.centrepompidou.fr\/cpv\/agenda\/event.action?param.id=FR_R-98422f4ec997b38e22b5fcc316c6dff7&amp;param.idSource=FR_E-98422f4ec997b38e22b5fcc316c6dff7\" target=\"_blank\" rel=\"noopener noreferrer\">Bacon en toutes lettres<\/a>&#8221; at the Centre Pompidou, Paris. 65 pages.<\/li>\n<li>&#8220;Deux voies pour une nouvelle peinture&#8221;, &#8220;Arr\u00eat sur \u0153uvre: August Macke, Trois jeunes filles avec des chapeaux de paille, 1913&#8221;, &#8220;Arr\u00eat sur \u0153uvre: Franz Marc, Le R\u00eave, 1912&#8221;, &#8220;\u00c0 la lisi\u00e8re de l\u2019abstraction&#8221;, &#8220;Sur les pas de Marc et de Macke&#8221;, <em>L\u2019Objet d\u2019art<\/em> <a href=\"https:\/\/www.estampille-objetdart.com\/numero-135\/franz-marc-august-macke.51483.php\" target=\"_blank\" rel=\"noopener noreferrer\">Nr. 135<\/a> (February 2019), pp. 36-65.<\/li>\n<li>Special edition of <em>L\u2019Objet d\u2019art\u00a0<\/em><a href=\"https:\/\/www.estampille-objetdart.com\/numero-134\/vasarely-partage-formes.51480.php\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"n\u00b0 134 (opens in a new tab)\">Nr. 134<\/a> (February 2019) dedicated to the exhibition &#8220;Vasarely. Sharing forms&#8221; at Centre Pompidou in Paris. 65 pages.<\/li>\n<li>&#8220;La couleur des r\u00eaves de Mir\u00f3&#8221; on the occasion of the retrospective &#8220;Joan Mir\u00f3&#8221; at Grand Palais in Paris (3<sup>th<\/sup> of Oct. 2018-4<sup>th<\/sup> of Feb. 2019),\u00a0<em>L\u2019Objet d\u2019art<\/em> Nr. 549 (Octobre 2018), pp. 42-48.<\/li>\n<li>Writing of the special edition of\u00a0<em>L\u2019Objet d\u2019art<\/em><a href=\"https:\/\/www.estampille-objetdart.com\/numero-127\/alphonse-mucha.5040.php\" target=\"_blank\" rel=\"noopener noreferrer\">\u00a0Nr. 127<\/a> dedicated to the exhibition &#8220;Alfons Mucha&#8221; at Mus\u00e9e du Luxembourg in Paris from September 2018, the 12<sup>th<\/sup>. 65 pages.<\/li>\n<li>Exhibition review of &#8220;Holder\/\/Parall\u00e9lisme&#8221; at Mus\u00e9e Rath in Geneva: &#8220;Le monde selon Hodler: du tragique \u00e0 l\u2019\u00e9merveillement&#8221;, texte paru dans\u00a0<a href=\"https:\/\/www.estampille-objetdart.com\/numero-546\/hodler-celebre-suisse-version-numerique.5001.php\" target=\"_blank\" rel=\"noopener noreferrer\">L\u2019Objet d\u2019art Nr. 546<\/a>\u00a0(June 2018), pp. 62-69.<\/li>\n<li>&#8220;Des portraits pour exprimer une \u00e2me&#8221; and &#8220;Mobilisation g\u00e9n\u00e9rale dans la presse et l\u2019\u00e9dition&#8221;, special issue of\u00a0<em>L\u2019Objet d\u2019art,<\/em> Nr. 124 (April 2018) [special edition dedicated to the exhibition at the Mus\u00e9e d\u2019Orsay &#8220;\u00c2mes sauvages. Le symbolisme dans les pays baltes&#8221; (10th of April-15th of July 2018), pp. 50-57.<\/li>\n<li>&#8220;Du nombre d\u2019or \u00e0 la Section d\u2019or&#8221;,\u00a0<em>Dossier de l\u2019art<\/em>\u00a0Nr. 257 (March 2018) [special edition dedicated to the exhibition &#8220;Kupka, pionnier de l\u2019abstraction&#8221; at the Grand Palais, Paris], pp. 70-71.<\/li>\n<li>&#8220;Kupka et la naissance de l\u2019abstraction&#8221;,\u00a0<em>L\u2019Objet d\u2019art<\/em>\u00a0Nr. 543 (March 2018) [special edition dedicated to the exhibition &#8220;Kupka, pionnier de l\u2019abstraction&#8221; at the Grand Palais, Paris], pp. 44-51.<\/li>\n<li>&#8220;L\u2019Allemagne, un sol classique&#8221;, &#8220;Caspar David Friedrich, la trag\u00e9die du paysage&#8221; and &#8220;Les digressions fantastiques du romantisme&#8221;,\u00a0<em>Dossier de l\u2019art<\/em>\u00a0<a href=\"https:\/\/www.dossier-art.com\/numero-256\/romantisme-une-aventure-europeenne.4902.php\" target=\"_blank\" rel=\"noopener noreferrer\">Nr. 256<\/a>\u00a0(February 2018), dedicated to the topic &#8220;Le romantisme, une aventure europ\u00e9enne&#8221;, pp.\u00a012-17; 18-19; 28-29.<\/li>\n<li>&#8220;Kees Van Dongen&#8221; and &#8220;Piet Mondrian&#8221;, special edition of\u00a0<em>L\u2019Objet d\u2019art<\/em>\u00a0<a href=\"https:\/\/www.estampille-objetdart.com\/numero-121\/hollandais-a-paris.4909.php\" target=\"_blank\" rel=\"noopener noreferrer\">Nr.\u00a0121 <\/a>dedicated to the exhibition\u00a0<a href=\"http:\/\/www.petitpalais.paris.fr\/expositions\/les-hollandais-paris-1789-1914\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;Les hollandais \u00e0 Paris, 1789-1914. Van Gogh \u2013 Van Dongen \u2013 Mondrian&#8221;<\/a>\u00a0(6 February-13 May 2018 at the Petit Palais, Paris), pp. 54-59; 60-63.<\/li>\n<li>Special edition of\u00a0<em>L\u2019Objet d\u2019art\u00a0<\/em><a href=\"http:\/\/www.estampille-objetdart.com\/numero-120\/cesar-retrospective.4838.php\" target=\"_blank\" rel=\"noopener noreferrer\">Nr. 120<\/a>\u00a0(December 2017), dedicated to the exhibition &#8220;C\u00e9sar&#8221; at Centre Pompidou, Paris (13 December 2017-26 March 2018). 50 pages.<\/li>\n<li>&#8220;Le cabinet fantastique de Wenzel Hablik&#8221;, review of the exhibition\u00a0<a href=\"https:\/\/www.berlinerfestspiele.de\/en\/aktuell\/festivals\/gropiusbau\/programm_mgb\/veranstaltungsdetail_mgb_ausstellungen_196390.php\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Wenzel Hablik \u2013 Expressionistische Utopien<\/em>.\u00a0<em>Malerei, Zeichnung, Architektur<\/em><\/a>\u00a0[Wenzel Hablik \u2013 Expressionnist Utopias. Painting, drawing, architecture] at Martin-Gropius-Bau, Berlin (2 September 2017-14 January 2018).\u00a0<em>L\u2019Objet d\u2019art\u00a0<\/em><a href=\"http:\/\/www.estampille-objetdart.com\/numero-540\/francois-ier-l-art-pays-bas.4872.php\" target=\"_blank\" rel=\"noopener noreferrer\">Nr.\u00a0540<\/a>\u00a0(December 2017), p. 18.<\/li>\n<li>Writing of the special edition of\u00a0<em>L\u2019Objet d\u2019art<\/em>\u00a0<a href=\"http:\/\/www.estampille-objetdart.com\/numero-118\/dada-africa.4792.php\" target=\"_blank\" rel=\"noopener noreferrer\">Nr. 118<\/a>\u00a0(October 2017) dedicated to the exhibition <a href=\"http:\/\/www.musee-orangerie.fr\/en\/event\/dada-africa-non-western-sources-and-influences\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;Dada Africa. Non-Western Sources and Influences&#8221;<\/a>, Mus\u00e9e de l&#8217;Orangerie, Paris (17 October 2017-19 February 2018). 50 pages.<\/li>\n<li>&#8220;Peindre apr\u00e8s Gauguin&#8221;, <em>Dossier de l&#8217;art,<\/em>\u00a0Nr. 252, September 2017, pp.\u00a062-67.<\/li>\n<li>&#8220;Un \u00e9t\u00e9 avec C\u00e9zanne&#8221;,<em> L\u2019estampille \u2013 L\u2019objet d\u2019art,<\/em>\u00a0Nr. 536, June 2017, pp.\u00a050-57.<\/li>\n<li>&#8220;David Hockney l\u2019\u00e9picurien&#8221;,<em> L\u2019estampille \u2013 L\u2019objet d\u2019art,<\/em> Nr. 536, June 2017, pp. 58-63.<\/li>\n<li>&#8220;La peinture De Stijl. Plan, couleur, espace&#8221;, in:<em> Dossier de l\u2019art<\/em>, Nr. 249, May\u00a02017, special edition &#8220;100 years of De Stijl&#8221;, pp. 12-23.<\/li>\n<li>Writing of the special issue Nr. 113 of the French art magazine\u00a0<em>L\u2019Objet d\u2019art<\/em>\u00a0<a href=\"http:\/\/clarapacquet.com\/?p=2160&amp;lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;Tokyo-Paris. Chefs-d\u2019\u0153uvre du Bridgestone Museum of Art, Collection Ishibashi Foundation&#8221;<\/a> (Mus\u00e9e de l\u2019Orangerie, Paris, April\/August\u00a02017), April 2017, 50 pages.<\/li>\n<li>Conception and writing of the special issue Nr. 111 of the French art magazine<a href=\"http:\/\/clarapacquet.com\/?p=2077&amp;lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">\u00a0&#8220;Au-del\u00e0 des \u00e9toiles. Le paysage mystique de Monet \u00e0 Kandinsky&#8221;<\/a>, exhibition at the Mus\u00e9e d&#8217;Orsay (March\/June 2017), 65 pages.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=1995&amp;lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;Les h\u00e9ritiers des Fr\u00e8res Le Nain. Du r\u00e9alisme aux avant-gardes&#8221;<\/a>, in\u00a0<em>Dossier de l\u2019art<\/em>, Nr<em>.<\/em> 247, March 2017. Dedicated to the exhibition\u00a0\u00ab Le myst\u00e8re Le Nain \u00bb au Louvre-Lens, Lens\u00a0(March\/June 2017), pp. 68-71.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=1989&amp;lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;Cy Twombly au Centre Pompidou&#8221;<\/a>,\u00a0<i>L\u2019Estampille \u2013 L\u2019Objet d\u2019art,\u00a0<\/i>Nr.\u00a0531, February 2017, pp. 34-41.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=1364&amp;lang=en\">&#8220;Ren\u00e9 Magritte au Centre Pompidou. La trahison de images&#8221;<\/a>, text published in\u00a0<i>L\u2019Estampille \u2013 L\u2019Objet d\u2019art, <\/i>Nr.<span class=\"s2\">\u00a0527<\/span>, October 2016, Dijon, \u00e9ditions Faton,\u00a0pp.\u00a06-7.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=1374&amp;lang=en\">Special issue Nr. 105 of the French art magazine\u00a0<em>L&#8217;Objet d&#8217;art<\/em>\u00a0&#8220;Ren\u00e9 Magritte&#8221;<\/a>\u00a0dedicated to the exhibition\u00a0&#8220;La trahison des images&#8221; at the Centre Pompidou, Paris, September 2016, 50 pages.<\/li>\n<li>&#8220;Satire, caricature et grotesque. Les d\u00e9buts de Klee&#8221;, &#8220;Une br\u00e8ve histoire de l\u2019ironie&#8221;, &#8220;Un mouvement perp\u00e9tuel. La nature pens\u00e9e comme espace po\u00e9tique&#8221;, &#8220;L\u2019influence de Goethe sur l\u2019\u0153uvre de Klee&#8221;, &#8220;Les illustrations de <em>Candide,<\/em> 1911-1912&#8243;, &#8220;Rhythmen einer Pflanzung&#8221;, &#8220;(Jugendlicher) Schauspieler = Maske&#8221;, &#8220;Angelus Novus&#8221;, in\u00a0<i>L\u2019Estampille \u2013 L\u2019Objet d\u2019art<\/i>\u00a0(April 2016), <a href=\"http:\/\/clarapacquet.com\/?p=1431&amp;lang=en\">Special issue Nr. 98 dedicated to the exhibition &#8220;Paul Klee. L\u2019ironie \u00e0 l\u2019\u0153uvre&#8221; at the Centre Pompidou<\/a>, Paris, April 2016, pp. 18-41;\u00a048-51.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=1439&amp;lang=en\">&#8220;Le Douanier Rousseau et les avant-gardes&#8221;<\/a> in<em> Dossier de l\u2019art,\u00a0<\/em>Nr.\u00a0238 (April 2016). Special edition dedicated to the retrospective \u00ab\u00a0The Douanier Rousseau. Archaic Candour\u00a0\u00bb at the Mus\u00e9e d\u2019Orsay, Paris, March 2016, pp.\u00a060-69.<\/li>\n<li>&#8220;Anselm Kiefer. Une &#8216;biographie de l\u2019Allemagne'&#8221;, &#8220;L\u2019alchimie du livre \u00e0 la BnF&#8221; in <a href=\"http:\/\/clarapacquet.com\/?p=273&amp;lang=fr\"><i>L\u2019Estampille \u2013 L\u2019Objet d\u2019art,<\/i>\u00a0Nr. 519<\/a>, January 2016, pp. 46-53.<\/li>\n<li>&#8220;1945 ann\u00e9e z\u00e9ro de l\u2019art allemand&#8221;, &#8220;Une entr\u00e9e en mati\u00e8re&#8221;, &#8220;Les espaces d\u2019Anselm Kiefer&#8221;, &#8220;Joseph Beuys, professeur \u00e0 l\u2019acad\u00e9mie de D\u00fcsseldorf&#8221;, &#8220;De Barjac au Centre Pompidou&#8221; and also work commentaries\u00a0in <a href=\"http:\/\/clarapacquet.com\/?p=60&amp;lang=fr\"><em>Dossier de l\u2019art,\u00a0<\/em>Nr.\u00a0235<\/a> (December 2015). Special issue dedicated to the retrospective &#8220;Anselm Kiefer&#8221; at the Centre Pompidou, Paris, December 2015, pp. 12-13; 26-27; 28-31; 44-49; 50-51; 52-57; 58-59; 70-73.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=1111&amp;lang=fr\">&#8220;Winckelmann face au Laocoon : une pens\u00e9e fondatrice&#8221;<\/a> in\u00a0<em>Dossier de l\u2019art,\u00a0<\/em>Nr. 205 (March 2013). Special issue dedicated to the exhibition\u00a0in the\u00a0Louvre &#8220;De l\u2019Allemagne, 1800-1939. De Friedrich \u00e0 Beckmann&#8221;, 2013, pp.\u00a022-23.<\/li>\n<li>&#8220;Alina Abramov: De deux c\u00f4t\u00e9s, Check Point Guilo \u2014 J\u00e9rusalem juillet 2006&#8221; in <em>Semaine 45.06,<\/em>\u00a0Nr. 112, Arles, \u00e9ditions Analogues, 2006.<\/li>\n<\/ul>\n<p><u>Dictionary articles<\/u><\/p>\n<ul>\n<li>&#8220;Affinit\u00e9&#8221;, &#8220;Monument&#8221;, &#8220;Sentiment&#8221; in Jacques Morizot and Roger Pouivet (ed.)<em> Dictionnaire d\u2019esth\u00e9tique et de philosophie de l\u2019art,<\/em> Paris, \u00e9ditions Armand Colin, 2007, pp. 23-24 ; 301-302 ; 402-404.<\/li>\n<\/ul>\n<p><u>Book reviews<\/u><\/p>\n<ul>\n<li>Ileana Parvu, <em>La Consistance des choses. Peter Fischli, David Weiss et le temps retourn\u00e9<\/em>, Aix-en-Provence: Presses Universitaires de Provence, 2021, 232 pages, open-access edition.<br \/>\nPublished in <em>21: Inquiries into Art, History, and the Visual \u2013 Beitr\u00e4ge zur Kunstgeschichte und visuellen Kultur<\/em> (3\/2023).<\/li>\n<li>Dani\u00e8le Cohn, <a href=\"http:\/\/clarapacquet.com\/?p=334&amp;lang=fr\"><em>Anselm Kiefer: ateliers<\/em><\/a> in\u00a0<em>Critique d\u2019art,<\/em> 41 | Printemps \/ Et\u00e9 2013.<\/li>\n<li>Wolfgang Ullrich, <a href=\"http:\/\/clarapacquet.com\/?p=378&amp;lang=fr\"><em>Alles nur Konsum: Kritik der waren\u00e4sthetischen Erziehung<\/em><\/a> in\u00a0<em>Critique d\u2019art <\/em>online.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=314&amp;lang=fr\"><em>Initiales. G. M.<\/em><\/a> [pour Georges Maciunas] in\u00a0<em>Critique d\u2019art <\/em>online.<\/li>\n<li><a href=\"http:\/\/journals.openedition.org\/critiquedart\/8410\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Fluxus ! Antikunst ist auch Kunst<\/em><\/a> in\u00a0<em>Critique d\u2019art <\/em>online.<\/li>\n<li><em>Fluxus at 50<\/em> in\u00a0<em>Critique d\u2019art <\/em>online.<\/li>\n<li>Jean-Paul Fourmentraux, <a href=\"http:\/\/clarapacquet.com\/?p=681&amp;lang=fr\"><em>L\u2019\u0153uvre commune. Affaire d\u2019art et de citoyen<\/em><\/a> in\u00a0<em>Critique d\u2019art <\/em>online<em>.<\/em><\/li>\n<li>Jean-Marie Mollo Olinga, <em>El\u00e9ments d\u2019initiation \u00e0 la critique cin\u00e9matographique<\/em> in\u00a0<em>Critique d\u2019art <\/em>online<em>.<\/em><\/li>\n<li>Christian Martin, <a href=\"http:\/\/critiquedart.revues.org\/6244\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Signifiances de l\u2019art : d\u00e9finir l\u2019esth\u00e9tique<\/em><\/a> in\u00a0<em>Critique d\u2019art <\/em>online.<\/li>\n<li>Isabelle Graw (\u00e9d.), <a href=\"http:\/\/clarapacquet.com\/?p=645&amp;lang=fr\"><em>Art and <\/em><em>Subjecthood<\/em><em>: The Return of the Human Figure in Semiocapitalism<\/em><\/a> in\u00a0<em>Critique d\u2019art <\/em>online.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=661&amp;lang=fr\"><em>Siegfried Kracauer\u2019s American Writings. Essays on Film and Popular Culture<\/em><\/a> in\u00a0<em>Critique d\u2019art <\/em>online.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=667&amp;lang=fr\">Klaus Scher\u00fcbel, <em>Vol. 13<\/em><\/a> in\u00a0<em>Critique d\u2019art <\/em>online<em>.<\/em><\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=363&amp;lang=fr\">Geert Bekaert, <em>Rooted in the Real : Writings on Architecture<\/em><\/a> in\u00a0<em>Critique d\u2019art <\/em>online.<\/li>\n<li>Alain Muzelle, <em><a href=\"http:\/\/clarapacquet.com\/?p=319&amp;lang=fr\">L\u2019arabesque. La th\u00e9orie romantique de Friedrich Schlegel \u00e0 l\u2019\u00e9poque de l\u2019Athen\u00e4um<\/a>, <\/em>Paris, Presses de l\u2019universit\u00e9 Paris-Sorbonne, 2006, dans <em>Annales. Histoire, Sciences Sociales, <\/em>2010, Nr. 6.1 \u2013 Arts, p. 1506-1508.<\/li>\n<\/ul>\n<p><u>Other contributions, texts written for artists, within exhibitions or not<\/u><\/p>\n<ul>\n<li>(French) Writing of the critical text titled <em>&#8220;Un certain fauvisme&#8221;<\/em> for Chantal Raguet&#8217;s dossier on the <em>Documents d&#8217;Artistes Nouvelle Aquitaine<\/em> website, available [<a href=\"https:\/\/dda-nouvelle-aquitaine.org\/chantal-raguet\" target=\"_blank\" rel=\"noopener\">here<\/a>]. October 2022.<\/li>\n<li>(French) &#8220;Un baume radical&#8221;, text accompanying the exhibition of the same title by Bertrand Dezoteux, Olivier Passieux and Beno\u00eet Pingeot at the Galerie Bernard Jordan, Paris, February 2021.<\/li>\n<li>(French) \u201cAutonomie Zoo\u00a0\/ \u00e9chapp\u00e9e belle\u201d, text accompanying (among others) the exhibition catalogue of Paul Sochacki <em>Gurbet,<\/em> G\u00fcnther-Peill-Stiftung\/Leopold-Hoesch-Museum D\u00fcren, Cologne, StrzeleckiBooks, 2019.<\/li>\n<li>(In English and German) text dedicated to the exhibition \u201eWeltr\u00e4tsel (Floating Mountains, Breathing Glaciers)\u201c by Line Hvoslef, Maja Nilsen and Randi Nyg\u00e5rd, at SCOTTY, Berlin, 21.04.2018 &#8211; 02.06.2018<\/li>\n<li>Texts written for the two catalogues of the photographer Marcus Kaiser: <em>It\u2019s all about the images we know so well <\/em>and <em>Two walks<\/em>, March 2018<\/li>\n<li>(In English and German) for the catalogue of\u00a0Nina Torp&#8217;s show\u00a0<a href=\"http:\/\/clarapacquet.com\/?p=310&amp;lang=fr\">&#8220;In Between Images&#8221;<\/a>\u00a0at the Galerie im Turm, Berlin, April 2015.<\/li>\n<li>(In French) Tim Lehmacher&#8217;s series\u00a0(photography)\u00a0<a href=\"http:\/\/clarapacquet.com\/?p=1225&amp;lang=fr\">&#8220;Pli&#8221;<\/a>, May 2011.<\/li>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=615&amp;lang=fr\">&#8220;Capriccio cherche comtesse&#8221;<\/a>.\u00a0Sarah Tritz, B\u00e9tonsalon, Paris, April-May 2008.<\/li>\n<li>Contribution (text) to the performance <a href=\"http:\/\/clarapacquet.com\/?p=763&amp;lang=fr\">&#8220;POESIE&#8221;<\/a>\u00a0by Nicolas Boone and Benjamin Seror within the scope of the\u00a0<em>Nuit de la Po\u00e9sie<\/em>, Th\u00e9\u00e2tre des Ateliers, Lyon, 7 March 2008.<\/li>\n<li>&#8220;Alina Abramov\u00a0: Check Point Guilo \u2013 J\u00e9rusalem juillet 2006&#8221;, published in\u00a0<em>Rendez-vous 07.<\/em> Biennale de Lyon 2007, ex. cat., Lyon, 2007.<\/li>\n<li>&#8220;Installation charni\u00e8re&#8221; by Alina Abramov, Galerie O\u00f9\/Festival International du Documentaire, Marseille, 2007.<\/li>\n<li>&#8220;On est arriv\u00e9 par l\u2019est&#8221;, \u00c9cole nationale des beaux-arts, Lyon, April 2004.<\/li>\n<li>&#8220;\u2018Rien n\u2019existe pas\u2019 by Sarah Tritz&#8221;, Les Subsistances\/\u00c9cole nationale des beaux-arts, Lyon, October\u00a02003.<\/li>\n<\/ul>\n<p><strong>Teaching experience<\/strong><\/p>\n<ul>\n<li>Since 2019: Teaching position (history, theory and actuality of contemporary art) at the \u00c9cole Sup\u00e9rieure d&#8217;Art Pays Basque.<\/li>\n<li>Spring 2020: lecture &#8220;Ornament, from the Enlightenment to the present&#8221; at the HEAD (Haute \u00c9cole d\u2019Art et de Design) Geneva, Philosophy of Art, Bachelor \u201cVisual Arts\u201d, 2d year.<\/li>\n<li>Spring 2018: Master&#8217;s seminar &#8220;<a href=\"http:\/\/clarapacquet.com\/?p=3138&amp;lang=fr\">Dialogische Formen der Wissensproduktion in der Kunst seit 1960&#8243;<\/a>) at the Kunsthistorisches Institut of the University of Zurich (Prof. Dr. B\u00e4rbel K\u00fcster, Lehrstuhl Moderne und Zeitgen\u00f6ssische Kunst).<\/li>\n<li>Within the ERC research project <em>o Each His Own Reality. The notion of the real in the fine arts of France, West Germany, East Germany and Poland between 1960 and 1989<\/em> at the Deutsches Forum f\u00fcr Kunstgeschichte in Paris, I organised seminars and workshops in aesthetics for the PhD students (all art historians, taking part in the project) about theoretical themes, which were devoted to specific aspects of the concept of &#8216;reality&#8217;. Topics of the seminars (selection):\n<ul>\n<li>real and socialist realism: about Karl Marx, Erhard John \u2013 a philosopher from GDR, whose aesthetics stands for the socialist realist position in art \u2013 and the writings of the artist Gerhard Richter<\/li>\n<li>the concept of \u201cobject&#8217; in art and the use of objects in the works of art: about Jean Baudrillard (<em>Le syst\u00e8me des objets, <\/em>1968), Marcel Duchamp, Pierre Restany, Alain Robbe-Grillet, Michael Fried, \u201cArt and Objecthood\u201d (1967), the discussions about the documenta 5 \u201cBefragung der Realit\u00e4t ?\u201d (1972) in West and East Germany, Harald Szeemann and his texts about Marcel Duchamp<\/li>\n<li>the institutional critique: deconstruction of the official art spaces (Marcel Broodthaers, Daniel Buren, Hans Haacke, Foksal Gallery in Warsaw)<\/li>\n<li>the places of art and the social reality: <em>The Social Construction of Reality. A Treatise in the Sociology of Knowledge <\/em>(1967)<em>,<\/em> Herbert Marcuse: <em>Die Permanenz der Kunst. Wider eine bestimmte marxistische \u00c4sthetik <\/em>(1977), texts of the polish architect Oskar Hansen, <em>Towards Open Form<\/em><\/li>\n<li>art and trauma: Freud, Winnicott, Lyotard (\u00ab Le non et la position de l\u2019objet \u00bb in <em>Discours, figure<\/em>), Joseph Beuys, Anselm Kiefer<\/li>\n<li>palpable realities: optical art and phenomenology<\/li>\n<li>punk and intermediality (artistic experiences in West Berlin and Dresden in the 1980s) critical theory and situationism: Adorno, Debord, Greil Marcus (<em>Lipstick Traces. A Secret History of the Twentieth Century, <\/em>1989)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><strong>Interventions (lectures, conferences, colloquiums, workshops, research seminars)<\/strong><\/p>\n<ul>\n<li>April 25, 2024: \u00ab &#8220;Le Cadre&#8221; chez Karl Philipp Moritz \u00bb, Seminar co-organized by Louvre \/ CNRS \/ Paris 1 Panth\u00e9on Sorbonne (S\u00e9bastien Allard, Isabelle Kalinowski, Dani\u00e8le Cohn) &#8220;L&#8217;accrochage au mus\u00e9e comme r\u00e9cit&#8221;, Paris, \u00c9cole du Louvre.<\/li>\n<li>March 7, 2018: &#8220;Jean Rouch et les choses&#8221;, S\u00e9minaire Arts &amp; Soci\u00e9t\u00e9s supervised by Laurence Bertrand Dorl\u00e9ac, Paris, Centre d\u2019histoire de Sciences Po.<\/li>\n<li>March 10, 2015 : &#8220;Pr\u00e9carit\u00e9 \u00e0 l&#8217;universit\u00e9 en Allemagne aujourd&#8217;hui&#8221;, Journ\u00e9e d&#8217;\u00e9tudes &#8220;\u00catre jeune chercheur ou chercheure aujourd&#8217;hui : quelles r\u00e9alit\u00e9s ?&#8221;, Paris, EHESS, organised by Pascale Haag (EHESS), Pascal Barbier (Paris 1) and Bernard Fusulier (Universit\u00e9 de Louvain).<\/li>\n<li>February 26, 2015 : &#8220;All\u00e9gorie et symbole dans l&#8217;\u0153uvre de Joseph Beuys&#8221;, Journ\u00e9e d&#8217;\u00e9tudes internationale &#8220;Beuys, le dernier romantique ?&#8221;, Universit\u00e9 Rennes 2, Mus\u00e9e des beaux-arts de Rennes, organised by Antje Kramer, Christophe David and Marion Hohlfeldt.<\/li>\n<li>December 7, 2013\u00a0: &#8220;Unit\u00e9 et relation. Le sujet et l&#8217;\u0153uvre d&#8217;art chez Karl Philipp Moritz&#8221;, colloquy &#8220;Le sensible et les formes \u2013 esth\u00e9tique et philosophie au 18\u00e8 si\u00e8cle&#8221;, Universit\u00e9 Paris-1 Panth\u00e9on Sorbonne, CEPA (Culture, Esth\u00e9tique et Philosophie de l&#8217;Art), under the direction of Dani\u00e8le Cohn and Laurent Jasso.<\/li>\n<li>October 11, 2013\u00a0: &#8220;Action et lieu chez Joseph Beuys. Le Polentransport 1981 dans la g\u00e9ographie imaginaire de l&#8217;Eurasia&#8221;, colloquy &#8220;Art contemporain et marges&#8221;, Centre Marc Bloch, Berlin.<\/li>\n<li>June 8, 2013: &#8220;&#8216;Polentransport 1981&#8217;. Joseph Beuys et le Muzeum Sztuki de \u0141\u00f3d\u017a&#8221;, workshop &#8220;Spatialisations de la m\u00e9moire&#8221;, Universit\u00e9 Paris-1 Panth\u00e9on Sorbonne, CEPA (Culture, Esth\u00e9tique et Philosophie de l&#8217;Art) , under the direction of Dani\u00e8le Cohn.<\/li>\n<li>April 10, 2013\u00a0: Introduction to the international symposium &#8220;R\u00e9alit\u00e9(s), fiction et utopie dans l&#8217;art en France, RFA, RDA et Pologne des ann\u00e9es 1960 \u00e0 1989&#8221; under the direction of Mathilde Arnoux and Clara Pacquet within the ERC research project <em>A c<\/em><em>hacun son r\u00e9el. La notion de r\u00e9el dans les arts plastiques en France, RFA, RDA et Pologne de 1960 \u00e0 la fin des ann\u00e9es 1980<\/em>, Centre allemand d&#8217;histoire de l&#8217;art, Paris.<\/li>\n<li>February 11-12, 2011: &#8220;Autonomie et interpr\u00e9tation de l\u2019\u0153uvre d\u2019art chez Karl Philipp Moritz&#8221;, Journ\u00e9es <em>Esth\u00e9tique: histoire et th\u00e9ories, <\/em>Universit\u00e9 Paris I (CEPA\/PHiCO)\/ENS-Ulm, organised by Dani\u00e8le Cohn and Elise Marrou.<\/li>\n<li>January 19, 2011: &#8220;Traduire Herder: l\u2019exemple du <em>\u00c4lteres Kritisches W\u00e4ldchen&#8221;<\/em>, workshop &#8220;Qu\u2019est-ce que traduire ? De l&#8217;exercice de la traduction entre th\u00e9orie et pratique depuis le XVIII<sup>e<\/sup> si\u00e8cle&#8221;, Centre Marc Bloch, Berlin. Under the direction of Elisabeth D\u00e9cultot.<\/li>\n<li>December 11-12, 2010: &#8220;Godard et la t\u00e9l\u00e9vision: des rapports entre science et cin\u00e9ma. R\u00e9flexions autour de la s\u00e9rie <em>France Tour D\u00e9tour Deux Enfants<\/em>&#8220;, workshop &#8220;Arts &amp; Savoirs II: K\u00fcnstler als Wissenschaftler \/ Wissenschaftler als K\u00fcnstler&#8221;, Internationales Symposium des Instituts f\u00fcr Kunstgeschichte, Institut f\u00fcr Kunstgeschichte der Ludwig-Maximilians-Universit\u00e4t M\u00fcnchen, under the direction of Pascal Dubourg Glatigny, Christian Joschke and Ulrich Pfisterer.<\/li>\n<li>October 6-8, 2010: &#8220;Le sentiment de l&#8217;ach\u00e8vement chez Karl Philipp Moritz&#8221;, international symposium within the scope of the the ANR\/DFG project &#8220;L&#8217;art et la facult\u00e9 de sentir&#8221;, Centre Marc Bloch, Berlin, under the direction of \u00c9lisabeth D\u00e9cultot (CNRS\/CMB) and Gerhard Lauer (Universit\u00e4t G\u00f6ttingen).<\/li>\n<li>April 30, 2010: &#8220;L&#8217;esth\u00e9tique de Karl Philipp Moritz&#8221;, seminar &#8220;Der Diskurs \u00fcber die Kunst in Europa: Zirkulation, Rezeption, Adaption, Transfer&#8221;, Centre Marc Bloch, Berlin. Organised by Elisabeth D\u00e9cultot and Pascal Dubourg-Glatigny.<\/li>\n<li>September 28-29, 2009: &#8220;\u00c4sthetik und Psychologie bei Karl Philipp Moritz. Einige \u00dcberlegungen \u00fcber die M\u00f6glichkeit einer Wechselwirkung von Objekt und Subjekt in der Kunst&#8221;, Graduiertenkurs &#8220;Sp\u00e4taufkl\u00e4rung \u2013 Gegenaufkl\u00e4rung&#8221;, Bibliotheca Augusta, Wolfenb\u00fcttel, under the direction of Prof. Dr. Gerhard Sauder, Universit\u00e4t Saarbr\u00fccken.<\/li>\n<li>June 12-13, 2009: &#8220;L&#8217;achev\u00e9 en soi chez Karl Philipp Moritz: une d\u00e9finition de l&#8217;\u0153uvre d&#8217;art entre autonomie et contexte&#8221;, colloquy &#8220;Internationalisation des arts et mise en sc\u00e8ne de la nation&#8221;, Institut National d&#8217;Histoire de l&#8217;Art, Paris, under the direction of Alexandre Kostka, Universit\u00e9 de Strasbourg, GEPE, Prof. Dr. Caroline Moine, Universit\u00e9 de Versailles Saint-Quentin-en-Yvelines, CHCSC and Prof. Dr. Martin Schieder, Universit\u00e4t Leipzig.<\/li>\n<li>November 21, 2008: &#8220;Totalit\u00e9 et trace: l&#8217;\u0153uvre d&#8217;art chez Karl Philipp Moritz&#8221;, workshop with Prof. Dr. Johannes Grave and Dr. Arno Schubbach (Basel), Centre allemand d&#8217;histoire de l&#8217;art, Paris.<\/li>\n<li>September 18-20, 2008: &#8220;Das Spiel des Ornaments bei Karl Philipp Moritz: zwischen Einheit und Mannigfaltigkeit&#8221;, international symposium &#8220;Ornament. Motiv \u2013 Modus \u2013 Bild&#8221;, eikones NFS Bildkritik, Basel. Under the direction of Vera Beyer and Christian Spies.<\/li>\n<li>May 23-24, 2008: &#8220;Le monument ou l&#8217;instrument d&#8217;une exp\u00e9rience \u00e9clair\u00e9e&#8221;, within the scope of the colloquy &#8220;Vous avez dit sculpture?&#8221; organised under the direction of Dani\u00e8le Cohn at the occasion of the exhibition by Richard Serra &#8220;Promenade&#8221;, MONUMENTA &#8211; Grand Palais, Paris.<\/li>\n<li>April 4-5, 2008: invited\u00a0for\u00a0a round table\u00a0at the occasion of the last meeting of the event\u00a0<em>Ornament: Motiv \u2013 Modus \u2013 Bild<\/em>, under the direction of Dr. Vera Beyer and Dr. Christian Spies, in cooperation with the Eikones-program, Basel, EHESS, Paris, Kunsthistorisches Institut, Florenz\/MPI, Ruhr-Universit\u00e4t Bochum, UdK Berlin and Universit\u00e4t K\u00f6ln.<\/li>\n<li>April 2, 2008: &#8220;Les Caprices de Sarah Tritz&#8221; within the scope of the exhibition &#8220;Capriccio cherche comtesse&#8221; by Sarah Tritz at the Centre d&#8217;art et de recherche B\u00e9tonsalon, Paris.<\/li>\n<li>June 6-7, 2007: &#8220;Ornement et achev\u00e9 en soi chez Karl Philipp Moritz&#8221;, workshop &#8220;Contexte, Art, V\u00e9rit\u00e9&#8221;, EHESS, Paris. Under the direction of Dani\u00e8le Cohn.<\/li>\n<li>October 9-12, 2006: &#8220;La dialectique de l&#8217;\u00e9criture chez Karl Philipp Moritz&#8221;, colloque international &#8220;Bild und Zeit&#8221;, Workshop f\u00fcr Nachwuchsforscher under the direction of Prof. Dr. Thomas Kisser and Prof. Dr. Dani\u00e8le Cohn, Siemens Stiftung, Munich, in collaboration with the Bayerische Akademie der Wissenschaften M\u00fcnchen and the Ecole des Hautes Etudes en Sciences Sociales, Paris.<\/li>\n<li>June 9, 2006: &#8220;Exp\u00e9rience mystique chez Karl Philipp Moritz: du roman psychologique \u00e0 la th\u00e9orie esth\u00e9tique&#8221;, workshop, Paris 1 Sorbonne, UFR Philosophie, under the direction of Anne M\u0153glin-Delcroix.<\/li>\n<li>June 1-2, 2005: &#8220;Interpr\u00e9tation des ruines antiques dans le Voyage en Italie (1786-88) de Karl Philipp Moritz&#8221;, workshop &#8220;Esth\u00e9tique et Morphologie&#8221;, Ecole des Hautes Etudes en Sciences Sociales, Paris. Under the direction of Dani\u00e8le Cohn.<\/li>\n<\/ul>\n<p><strong>Organisation of workshops\/conferences<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/clarapacquet.com\/?p=1733&amp;lang=en\"><em>Reality(ies), fiction and utopia in the art of France, West-Germany, East-Germany and Poland\u00a0 between 1960 and 1989,<\/em><\/a> international meeting organised by Mathilde Arnoux and Clara Pacquet within the scope of the ERC-funded research project &#8220;To Each His Own Reality. The notion of the real in the fine arts of France, Eastern and Western Germany and Poland between 1960 and 1989&#8221; at the\u00a0Deutsches Forum f\u00fcr Kunstgeschichte, Paris, April 10-13, 2013.<\/li>\n<li>Coordination of the workshop <em>Qu\u2019est-ce que traduire ? De l&#8217;exercice de la traduction entre th\u00e9orie et pratique depuis le XVIIIe si\u00e8cle,<\/em> organised under the direction of Prof. Dr. Elisabeth D\u00e9cultot, Centre Marc Bloch, Berlin, January 19, 2011.<\/li>\n<li>Coordination of the workshop <em>Contexte, Art, V\u00e9rit\u00e9<\/em> with C\u00e9cile Pelaudeix et Nuno Miguel Proen\u00e7a, Paris, EHESS, June 6-7, 2007.<\/li>\n<\/ul>\n<p><strong>Conception, organization, coordination administration<\/strong><\/p>\n<ul>\n<li>in charge of the publications on the platform of the Max Weber Stiftung:\u00a0<a href=\"http:\/\/www.perspectivia.net\/publikationen\/ownreality\" target=\"_blank\" rel=\"noopener noreferrer\">perspectivia.net<\/a>, ERC project &#8220;Ownreality&#8221;<\/li>\n<li>B. K\u00fcster and\u00a0C. Pacquet (ed.),\u00a0<em><a href=\"http:\/\/dakar-bamako-photo.eu\/fr\/accueil.html\" target=\"_blank\" rel=\"noopener noreferrer\">Photography and Orality. Dialogues in Bamako, Dakar and Elsewhere, 2011-2015<\/a><\/em>: conception, editorship. Project supported by the\u00a0<a href=\"http:\/\/www.kulturstiftung-des-bundes.de\/cms\/en\/programme\/Afrika\/turn.html\" target=\"_blank\" rel=\"noopener noreferrer\">Kulturstiftung des Bundes<\/a><\/li>\n<li>establishment of the website: ERC project, <a href=\"http:\/\/dakar-bamako-photo.eu\/fr\/accueil.html\" target=\"_blank\" rel=\"noopener noreferrer\">Kulturstiftung des Bundes<\/a>\u00a0project, the webside <a href=\"http:\/\/clarapacquet.com\">clarapacquet.com<\/a><\/li>\n<li>establishment of\u00a0the scientific steering of a database : ERC project<\/li>\n<li>Communication, networking, translations<\/li>\n<\/ul>\n<p><strong>Curatorial experience (film programs)<\/strong><\/p>\n<ul>\n<li>August 2014 \u2013 September 2015: in charge of the film program\u00a0<a href=\"http:\/\/clarapacquet.com\/?p=1715&amp;lang=en\">LA\u00a0LOGE\u00a0NOIRE<\/a>\u00a0at the Berlin cinema Babylon (conception \/ organisation \/ graphical works) \u2013 a film program about &#8216;magic&#8217; in the cinema remaining the tradition of <em>midnight movies<\/em>, which aimed to be like an exhibition space: several artists (musicians, visual artists, magicians) were invited to introduce the film with the means of their artistic practice.<\/li>\n<li>November 2013-September 2014: in charge of the film program <em><a href=\"http:\/\/clarapacquet.com\/?p=1718&amp;lang=en\">GEIST &amp; GESPENSTER<\/a>\u00a0<\/em>at the Club der polnischen Versager, Berlin (that program sought to consider the film medium in its spectral dimension).<\/li>\n<\/ul>\n<p><strong>Cinema<\/strong><\/p>\n<ul>\n<li>in charge of the editing of filmed interviews with about 20 photographers in Dakar and Bamako, for a online publication\u00a0<em><a href=\"http:\/\/dakar-bamako-photo.eu\/fr\/accueil.html\" target=\"_blank\" rel=\"noopener noreferrer\">Photography and Orality. Dialogues in Bamako, Dakar and Elsewhere, 2011-2015<\/a><\/em><em>, <\/em>Stuttgart, December\u00a02015.<\/li>\n<li>production assistant on the film of Volko Kamensky (teaching film at the Kassel Art Academy) <em>Oradour-sur-Glane<\/em>, first part of a diptych entitled EUROPA, October 2011 \/ August 2012.<strong>\u00a0<\/strong><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Research Projects and Professional Experience Since 2023: Head of Research at the \u00c9cole Sup\u00e9rieure d\u2019Art Pays Basque (Higher School of Art, Biarritz\/Bayonne, FR) Since 2019: Teaching position (history, theory and&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-2247","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/P7PUdz-Af","jetpack-related-posts":[],"_links":{"self":[{"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/pages\/2247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2247"}],"version-history":[{"count":71,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/pages\/2247\/revisions"}],"predecessor-version":[{"id":5170,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/pages\/2247\/revisions\/5170"}],"wp:attachment":[{"href":"http:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}