![\"sur-lornement-1\"](\"http:\/\/clarapacquet.com\/wp-content\/uploads\/2016\/09\/Sur-lornement-1-981x1024.jpg\")
<\/p>\n<\/p>\n
Karl Philipp Moritz, Sur l’ornement<\/a>,<\/em> Paris, \u00e9ditions Rue d’Ulm<\/a>, coll. \u00c6sthetica<\/a>\/Mus\u00e9e du Quai Branly<\/a>, 2008. These\u00a0Preliminary concepts to build a theory of ornamentation<\/i> restore an important episode of the history of ideas as applied to artistic forms. A preface by Clara Pacquet and an afterword by Dani\u00e8le Cohn, who dwelt on the status of the ornament, make it possible to situate the text of Moritz in the history of German esthetics in the 18th century.<\/p>\n This manuscript remains unpublished in French.<\/p>\n – – – – – – – – – –<\/p>\n Summary<\/strong><\/p>\n Preface by Clara Pacquet<\/p>\n Concepts pr\u00e9liminaires en vue d\u2019une th\u00e9orie des ornements<\/strong><\/p>\n Postface by\u00a0Dani\u00e8le\u00a0Cohn<\/strong>. La ceinture d\u2019Aphrodite. Une br\u00e8ve histoire de l\u2019ornement<\/p>\n Notes Karl Philipp Moritz, Sur l’ornement, Paris, \u00e9ditions Rue d’Ulm, coll. \u00c6sthetica\/Mus\u00e9e du Quai Branly, 2008. * Preface, translation and annotation\u00a0by Clara Pacquet. Afterword\u00a0by Dani\u00e8le Cohn. * Ornamentation has often been…<\/p>\n","protected":false},"author":1,"featured_media":3044,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[159,167],"tags":[215,241,231,251,191],"class_list":["post-1487","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bucher","category-publikationen","tag-asthetik","tag-karl-philipp-moritz-de","tag-kunstgeschichte","tag-ornament-de","tag-ubersetzung"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"http:\/\/clarapacquet.com\/wp-content\/uploads\/2017\/11\/IMG_4136-e1510246245483.jpg","jetpack_sharing_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/p7PUdz-nZ","jetpack-related-posts":[],"_links":{"self":[{"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts\/1487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1487"}],"version-history":[{"count":6,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts\/1487\/revisions"}],"predecessor-version":[{"id":3714,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts\/1487\/revisions\/3714"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/media\/3044"}],"wp:attachment":[{"href":"http:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1487"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1487"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n*
\nPreface, translation and annotation\u00a0by Clara Pacquet.
\nAfterword\u00a0by Dani\u00e8le Cohn.
\n*
\nOrnamentation has often been too quickly considered as a peripheral and secondary manifestation of form, denuded of its independence. However, this makes it possible to question the autonomy of works of art in relation to the subjects of representation and their historical development. The design of ornaments reflects the view that was turned towards the grotesque and the d\u00e9cor of useful objects and sustains a more general reflection on beauty and the function of art. As such, the subject of ornamentation is essential for the anthropology of art.<\/p>\nLe cadre<\/em> \u2013 Alternance et unit\u00e9 dans le paysage<\/em> \u2013 Formation humaine et formation animale<\/em> \u2013 L\u2019Apollon du belv\u00e9d\u00e8re<\/em> \u2013 Les variations du go\u00fbt<\/em> \u2013 Les colonnes<\/em> \u2013 Arabesques<\/em> \u2013 Sur les coupoles, les tourelles, les ob\u00e9lisques et les colonnes comm\u00e9moratives<\/em> \u2013 Les chambres de Rapha\u00ebl<\/em> \u2013 Le vase<\/em> \u2013 Sur l\u2019all\u00e9gorie<\/em> \u2013 La villa de Rapha\u00ebl<\/em> \u2013 Description d\u2019une salle de la maison du ministre d\u2019\u00c9tat du Roi, le baron von Heinitz de Berlin<\/em> \u2013 Pulsion d\u2019imitation et manie d\u2019innovation<\/em> \u2013R\u00e9futation du jugement erron\u00e9 : de gustibus non est disputandum<\/em> \u2013 L\u2019\u00e9glise Saint-Paul de Rome<\/em> \u2013 Uniformit\u00e9 et vari\u00e9t\u00e9<\/em> \u2013Un plafond peint par Pierre de Cortone<\/em> \u2013 L\u2019am\u00e9nagement des maisons chez les Anciens et les d\u00e9corations de leurs pi\u00e8ces<\/em> \u2013 Les autels des Anciens<\/em> \u2013 Les temples des Anciens<\/em> \u2013 Les statues des dieux<\/em> \u2013 Les bois sacr\u00e9s des dieux<\/em> \u2013 Les combats du cirque<\/em> \u2013 Les d\u00e9corations de la basilique Saint-Pierre de Rome<\/em> \u2013 Les d\u00e9corations sur les cercueils en marbre des Anciens<\/em> \u2013 Le tombeau de marbre \u00e9rig\u00e9 en souvenir du d\u00e9funt comte von der Mark<\/em> \u2013 V\u00eatement et drap\u00e9<\/em> \u2013 Description d\u2019une nouvelle salle de r\u00e9ception<\/em> \u2013 Un s\u00e9nateur romain<\/em> \u2013 Un maire d\u2019une ville imp\u00e9riale<\/em> \u2013 Une matrone romaine<\/em> \u2013 Une princesse de Parme<\/em> \u2013 Travail ajour\u00e9<\/em> \u2013 Le jugement de go\u00fbt<\/em><\/div>\n
\nLexicon
\nBiographic\u00a0elements
\nBibliography<\/p>\n","protected":false},"excerpt":{"rendered":"