{"id":314,"date":"2013-07-27T23:27:34","date_gmt":"2013-07-27T23:27:34","guid":{"rendered":"http:\/\/localhost:8888\/?p=314"},"modified":"2017-12-16T15:10:06","modified_gmt":"2017-12-16T15:10:06","slug":"initiales-gm-note-de-lecture-pour-la-revue-critique-dart-juin-2014","status":"publish","type":"post","link":"http:\/\/clarapacquet.com\/?p=314&lang=fr","title":{"rendered":"[RECENSION] Initiales: GM"},"content":{"rendered":"
\"initiales-portfolio\"<\/div>\n
Initiales : GM,\u00a0<\/span>\u00e9nsba-Lyon<\/a>, Dijon, Les presses du r\u00e9el<\/a>, 2013.<\/h6>\n

Recension parue dans, Critique d’art en ligne, 2013.<\/strong><\/p>\n

[TEXTE INT\u00c9GRAL]<\/p>\n

Fruit d\u2019une rencontre entre Emmanuel Tibloux, directeur de l\u2019Ecole des beaux-arts de Lyon,\u00a0<\/span>et les critiques d\u2019art Claire Moul\u00e8ne et Jean-Max Colard, la revue<\/span>\u00a0Initiales<\/em>\u00a0<\/span>sort son premier\u00a0<\/span>num\u00e9ro<\/span>.<\/span>\u00a0Le principe de la revue consiste \u00e0 consacrer chaque livraison \u00e0 une personnalit\u00e9 sous\u00a0<\/span>la forme d\u2019un portrait \u00e9clat\u00e9. Cette fois-ci : \u00ab GM \u00bb comme George Maciunas. Outre l\u2019actualit\u00e9\u00a0<\/span>des c\u00e9l\u00e9brations autour de Fluxus \u00e0 l\u2019occasion des cinquante ans du mouvement, la r\u00e9daction\u00a0<\/span>ne pouvait faire de meilleur choix pour son lancement que de s\u2019int\u00e9resser \u00e0 l\u2019\u00ab\u00a0impresario\u00a0\u00bb\u00a0<\/span>de Fluxus qui est une figure \u00e9clat\u00e9e par d\u00e9finition, difficile \u00e0 classer et dont la fonction m\u00eame\u00a0<\/span>est d\u2019exacerber le paradoxe d\u2019une pluralit\u00e9 de l\u2019individu, insaisissable et \u00e9quivoque, venant\u00a0<\/span>d\u00e9jouer les cat\u00e9gories de l\u2019individualisme ravageur mises en place par l\u2019id\u00e9ologie capitaliste\u00a0<\/span>et dans laquelle presque rien ne r\u00e9siste face \u00e0 la force unificatrice de la marchandise et son\u00a0<\/span>pseudo-myst\u00e8re.<\/span><\/div>\n
\u00a0<\/span><\/div>\n
George Maciunas a occup\u00e9 les r\u00f4les tout aussi diff\u00e9rents de graphiste, architecte, designer,\u00a0<\/span>agent immobilier, artiste, galeriste, \u00e9diteur, ou encore historien de l\u2019art. Tenter son portrait ne\u00a0<\/span>peut se faire sur un autre mode que sur celui propos\u00e9 par<\/span>\u00a0Initiales<\/em><\/span>,<\/em> c\u2019est-\u00e0-dire un ensemble\u00a0<\/span>de circonvolutions se mouvant autour d\u2019un centre lui-m\u00eame en mouvement permanent. Il\u00a0<\/span>est int\u00e9ressant en ce sens de remarquer que le choix port\u00e9 sur George Maciunas participe\u00a0<\/span>activement de la conception de la revue, comme si l\u2019artiste lui-m\u00eame \u2013 plus pr\u00e9cis\u00e9ment son\u00a0<\/span>\u00ab\u00a0esprit\u00a0\u00bb, comme nous l\u2019invite \u00e0 penser un entretien r\u00e9alis\u00e9 en 2002 par le commissaire et\u00a0<\/span>\u00e9crivain Raimundas Malasauskas en pr\u00e9sence d\u2019un m\u00e9dium new-yorkais (\u00ab\u00a0Life after Life and\u00a0<\/span>after\u00a0\u00bb, p. 37-41) \u2013\u00a0s\u2019\u00e9tait invit\u00e9 dans le projet d\u2019une mani\u00e8re encore plus active que ne l\u2019avaient\u00a0<\/span>imagin\u00e9 les initiateurs de cet hommage.<\/span><\/div>\n
\u00a0<\/span><\/span><\/div>\n
George Maciunas vient bienveillamment hanter<\/span>\u00a0Initiales<\/em><\/span>\u00a0et la fa\u00e7on dont s\u2019articulent les\u00a0<\/span>contributions adh\u00e8re \u00e0 la croyance d\u2019une circulation des esprits et des formes, par-del\u00e0 les\u00a0<\/span>diff\u00e9rences tr\u00e8s marqu\u00e9es de chacun. Ce principe de l\u2019\u00e9clatement et de l\u2019infini des facettes se\u00a0<\/span>montre garant d\u2019une joyeuse h\u00e9t\u00e9rog\u00e9n\u00e9it\u00e9 cr\u00e9atrice d\u2019une connaissance fragment\u00e9e : artistes,<\/span>historiens de l\u2019art, commissaires, \u00e9crivains, enseignants, \u00e9tudiants – certaines de ces fonctions\u00a0<\/span>\u00e9tant souvent rassembl\u00e9es en la m\u00eame personne, ou inversement, circulant d\u2019une personne \u00e0\u00a0<\/span>l\u2019autre – ont fabriqu\u00e9 \u00e0 cette occasion toute une gamme de produits ambigus allant de l\u2019essai\u00a0<\/span>\u00e0 l\u2019entretien, r\u00e9el ou imaginaire, passant par le t\u00e9moignage, la conversation ou le point de\u00a0<\/span>vue, mais aussi le compte-rendu, en textes, en images ou en sons (la revue est accompagn\u00e9e\u00a0<\/span>d\u2019un suppl\u00e9ment DVD comprenant un film et un entretien audio de George Maciunas). Les\u00a0<\/span>mani\u00e8res de faire, de traiter, de lire ou de comprendre l\u2019artiste et son h\u00e9ritage sont parfois\u00a0<\/span>fid\u00e8les, parfois non, et r\u00e9jouissent par l\u2019\u00e9nergie qu\u2019elles insufflent \u00e0 l\u2019ensemble.<\/span><\/div>\n
\u00a0<\/span><\/div>\n
\n

Reste \u00e0 attendre le deuxi\u00e8me num\u00e9ro \u2013\u00a0consacr\u00e9 \u00e0 John Baldessari \u2013 afin de voir si l\u2019\u00e9nergie\u00a0<\/span>circonvolutive de ce beau d\u00e9but saura rejouer la partie avec la m\u00eame justesse.<\/span><\/p>\n

Clara Pacquet<\/p>\n

Site de la revue:\u00a0http:\/\/www.revueinitiales.com\/<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Initiales : GM,\u00a0\u00e9nsba-Lyon, Dijon, Les presses du r\u00e9el, 2013. Recension parue dans, Critique d’art en ligne, 2013. [TEXTE INT\u00c9GRAL] Fruit d\u2019une rencontre entre Emmanuel Tibloux, directeur de l\u2019Ecole des beaux-arts…<\/p>\n","protected":false},"author":1,"featured_media":816,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17,55],"tags":[25,112,516,23,552,22,38],"class_list":["post-314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications","category-recensions","tag-art-contemporain","tag-art-seconde-moitie-du-xxe-s","tag-dada","tag-esthetique","tag-fluxus","tag-histoire-de-lart","tag-note-de-lecture"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"http:\/\/clarapacquet.com\/wp-content\/uploads\/2016\/09\/initiales-portfolio-1.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7PUdz-54","jetpack-related-posts":[],"_links":{"self":[{"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts\/314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=314"}],"version-history":[{"count":20,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts\/314\/revisions"}],"predecessor-version":[{"id":2239,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts\/314\/revisions\/2239"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/media\/816"}],"wp:attachment":[{"href":"http:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=314"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}