{"id":1760,"date":"2012-09-24T23:03:03","date_gmt":"2012-09-24T23:03:03","guid":{"rendered":"http:\/\/clarapacquet.com\/?p=1760"},"modified":"2016-11-14T17:56:01","modified_gmt":"2016-11-14T17:56:01","slug":"wiss-beitrag-der-klassische-boden","status":"publish","type":"post","link":"https:\/\/clarapacquet.com\/?p=1760&lang=de","title":{"rendered":"[WISS. BEITRAG] Der klassische Boden"},"content":{"rendered":"
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\"moritz-et-ses-amis\"

Goethe et son cercle d\u2019amis \u00e0 Rome, Friedrich Bury, 1786-1788, dessin \u00e0 la plume, Leipzig, collection Kippenberg.<\/p><\/div>\n

C. Pacquet, \u00ab Le sol classique \u00bb in\u00a0: Audrey Rieber (dir.), Penser l\u2019art, penser l\u2019histoire<\/a>,<\/em> Paris, e\u0301ditions de L\u2019Harmattan, 2014, P. 141-155.<\/strong><\/p>\n

R\u00e9sum\u00e9:<\/strong>
\nPourquoi, \u00e0 Rome, Johann Wolfgang Goethe d\u00e9laisse-t-il un temps l’\u00e9criture pour la carte et le dessin lorsqu’il lui faut comprendre l’espace de l’histoire ? Partant de son journal de Voyage en Italie et de la difficult\u00e9 qu’il y \u00e9prouve \u00e0 d\u00e9crire en mots ce qui le fascine tant dans “le sol classique”, cet article se propose de regarder comment certains de ses amis artistes plasticiens ont abord\u00e9 la terre historique romaine dans leurs tableaux ou dessins, avant de revenir aux consid\u00e9rations sur l’histoire de Goethe et de son compagnon de voyage Karl Philipp Moritz. Une connaissance du pass\u00e9 n’est-elle possible qu’\u00e0 travers l’exp\u00e9rience pr\u00e9sente que nous en faisons ? Cette connaissance est-elle \u00e0 m\u00eame de susciter un sentiment historique moteur pour cr\u00e9er du nouveau \u00e0 partir de l’ancien ?<\/p>\n<\/div>\n

Article initialement paru en ligne dans la revue Appareil<\/a> (Maison des Sciences de l’Homme Paris-Nord).<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

C. Pacquet, \u00ab Le sol classique \u00bb in\u00a0: Audrey Rieber (dir.), Penser l\u2019art, penser l\u2019histoire, Paris, e\u0301ditions de L\u2019Harmattan, 2014, P. 141-155. R\u00e9sum\u00e9: Pourquoi, \u00e0 Rome, Johann Wolfgang Goethe d\u00e9laisse-t-il…<\/p>\n","protected":false},"author":1,"featured_media":834,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[167,147],"tags":[215,235,237,241,231],"class_list":["post-1760","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publikationen","category-beitrage","tag-asthetik","tag-johann-gottfried-herder-de","tag-johann-wolfgang-goethe-de","tag-karl-philipp-moritz-de","tag-kunstgeschichte"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/clarapacquet.com\/wp-content\/uploads\/2016\/09\/sol-classique-portfolio.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7PUdz-so","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts\/1760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1760"}],"version-history":[{"count":1,"href":"https:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts\/1760\/revisions"}],"predecessor-version":[{"id":1767,"href":"https:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts\/1760\/revisions\/1767"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/media\/834"}],"wp:attachment":[{"href":"https:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}