{"id":3930,"date":"2012-01-23T09:37:42","date_gmt":"2012-01-23T09:37:42","guid":{"rendered":"http:\/\/clarapacquet.com\/?p=3930"},"modified":"2019-04-24T11:33:39","modified_gmt":"2019-04-24T11:33:39","slug":"enseignement","status":"publish","type":"post","link":"https:\/\/clarapacquet.com\/?p=3930&lang=fr","title":{"rendered":"[ENSEIGNEMENT] L&#8217;art et le r\u00e9el"},"content":{"rendered":"\n<p>Dans le cadre du projet de recherche ERC <a rel=\"noreferrer noopener\" href=\"https:\/\/dfk-paris.org\/en\/ownreality\" target=\"_blank\">\u00ab \u00c0 chacun son r\u00e9el. La notion de r\u00e9el dans les arts plastiques en France, RFA, RDA et Pologne de 1960 \u00e0 la fin des ann\u00e9es 1980 \u00bb<\/a> (2011-2013) au Centre allemand d\u2019histoire de l\u2019art \u00e0 Paris, j&#8217;ai eu la charge de s\u00e9minaires en esth\u00e9tique pour les doctorant.e.s du projet. Th\u00e8mes des s\u00e9minaires (s\u00e9lection) :<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>R\u00e9el et r\u00e9alisme socialiste&nbsp;: autour de Karl Marx, Erhard John \u2013 un th\u00e9oricien en esth\u00e9tique de l\u2019ex-RDA d\u00e9fendant la position r\u00e9aliste socialiste en art \u2013 et les \u00e9crits de Gerhard Richter<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>La notion d\u2019objet en art et l\u2019usage des objets dans les \u0153uvres&nbsp;: autour de Baudrillard (<em>Le syst\u00e8me des objets, <\/em>1968), Marcel Duchamp, Pierre Restany, Alain Robbe-Grillet, Michael Fried, \u00ab Art and Objecthood \u00bb (1967), les d\u00e9bats autour de la documenta 5 \u00ab Befragung der Realit\u00e4t ? \u00bb (1972) entre l\u2019Allemagne de l\u2019Ouest et l\u2019Allemagne de l\u2019Est, Harald Szeemann (le commissaire de la documenta 5) et ses textes sur Duchamp<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>La critique institutionnelle&nbsp;: d\u00e9construction des espaces officiels de l\u2019art (Marcel Broodthaers, Daniel Buren, Hans Haacke, Foksal Gallery \u00e0 Varsovie)<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Les espaces de l\u2019art et la r\u00e9alit\u00e9 sociale&nbsp;: <em>The Social Construction of Reality. A Treatise in the Sociology of Knowledge <\/em>(1967)<em>,<\/em> Herbert Marcuse : <em>Die Permanenz der Kunst. Wider eine bestimmte marxistische \u00c4sthetik <\/em>(1977), textes de l\u2019architecte polonais Oskar Hansen, <em>Towards Open Form<\/em><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Art et trauma&nbsp;: Freud, Winnicott, Lyotard (\u00ab Le non et la position de l\u2019objet \u00bb in <em>Discours, figure<\/em>), Joseph Beuys, Anselm Kiefer<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>R\u00e9alit\u00e9s palpables&nbsp;: art optique et ph\u00e9nom\u00e9nologie<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Punk et \u00ab&nbsp;interm\u00e9dialit\u00e9&nbsp;\u00bb (exp\u00e9riences artistiques \u00e0 Berlin-ouest et Dresde dans les ann\u00e9es 1980)<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Th\u00e9orie critique et situationnisme&nbsp;: Adorno, Debord, Greil Marcus (<em>Lipstick Traces. Une histoire secr\u00e8te du vingti\u00e8me si\u00e8cle, <\/em>1989)<\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Dans le cadre du projet de recherche ERC \u00ab \u00c0 chacun son r\u00e9el. La notion de r\u00e9el dans les arts plastiques en France, RFA, RDA et Pologne de 1960 \u00e0&hellip;<\/p>\n","protected":false},"author":1,"featured_media":3927,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[46,615,609],"tags":[],"class_list":["post-3930","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-46","category-enseignement","category-recherche"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/clarapacquet.com\/wp-content\/uploads\/2019\/04\/KIC_Image_0004-e1555147643161.jpg","jetpack_sharing_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/p7PUdz-11o","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts\/3930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3930"}],"version-history":[{"count":4,"href":"https:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts\/3930\/revisions"}],"predecessor-version":[{"id":4008,"href":"https:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/posts\/3930\/revisions\/4008"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/clarapacquet.com\/index.php?rest_route=\/wp\/v2\/media\/3927"}],"wp:attachment":[{"href":"https:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/clarapacquet.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}